ABOUT

Poured Earth Collaborative (PEC) investigates the future of earthen construction as a response to human-made global warming. We aim to resist mass production and building commodification by creating spatial divisions out of the land itself. PEC creates workflows that bring in as little material as possible to a site, extrudes a structure from the earth on-site, and reuses formwork materials in the final construct through a cradle-to-cradle design process. 

Our investigations take four forms: built works, material physical testing (site soils, test blocks, mix design), graphic diagrams of process and critique, and academic writing. The built works are propositions, meant to investigate space through form and division. The propositions transform site-based materials into sculptures about barriers, light, and texture. Fabric formwork avoids limitations of planar formwork and meets clay-based material needs.

PEC’s testing matches site soils to controlled mix experiments by measuring particle size distribution and soil characteristics of a sample. We are developing a lexicon of traditional plant-based fibers and surface treatments. Physical testing of the dried and formed material allows PEC to enter the conversation of modulus of rupture, compression, and other structural benchmarks.

PEC seeks through these investigations -- physical, graphic, and written -- to create a response to climate change. Built form defines the human animal’s understandings of civilization, what it means to dwell together. PEC uses this investigation to tease out how a traditional material can move forward into the contemporary vocabulary of form and reknit relationships of human habitation within the beyond human world.


PEC Methodology

Our approach begins with site and material. We work with diagrams, models, and prototypes, and return to the facts of site derived building methods to avoid carbon impacts of materials and their displacement.

founding members

Charlie O’Geen /
Architecture
University of Michigan

Charlie O’Geen’s research investigates the utilization of existing site conditions for use as building systems, in opposition to conventional building practices which are materially consuming.  Unconventionally, O’Geen’s work moves off paper and into the full-scale realities of site and material and looks to explore and expose the opportunities of existing material energy.  O’Geen’s process weighs the potential of conditions already present at the building site, creating experiments that develop fully mature material systems that grow from untapped resources in sites and materials.  O’Geen holds a Bachelor of Science and Master of Architecture from SUNY Buffalo as well as a Master of Architecture from Cranbrook Academy of Art.

catherine page harris /
landscape architecture
university of New Mexico

Catherine Page Harris teaches Landscape Architecture at University of New Mexico. BA Harvard University, 1988, MLA UC Berkeley, 1997, MFA Stanford University, 2005. Recent projects: Ecotone, 3D scanned creosote shrubs for plant microbe interaction experiments; Poured Earth Collaborative’s Fabric Formed Poured Earth, and sharing a drink. At the Same Table/ Trans-species Repast–sharing meals with animals in North Jutland, Denmark and Vermont, US to explore hierarchy, resources, and landscape, showed at the Center for Contemporary Art, Santa Fe, (2016), UNM Art Museum (2016), the Land Shape Festival (2015) in Hanstholm, DK, Marble House Project, VT (2015) and the Wignall Museum, CA, (2014).


collaborators

PETER VON BüLOW / Structural
Peter von Bülow is a professor of architecture at the University of Michigan’s Taubman College of Architecture and Urban Planning. His area of research focuses on the use of evolutionary computation for exploration and optimization of structural systems. Prof. von Bülow has worked professionally in both architecture and engineering offices in Germany and the United States, including RFR-Stuttgart, Greiner Engineering, and SL-Rasch. and spent a year at the University of Stuttgart’s Institute for Lightweight Studies (under Frei Otto) as a Fulbright Scholar.

JULIA JEFFS / Graphics

Julia Jeffs is a designer based in Washington, DC. Jeffs currently works as a project architect at McInturff Architects, dedicated to highly crafted, site specific details. Jeffs graduated with a BA in history from The Evergreen State College and later received a Master of Architecture from the University of Michigan. Jeffs work is guided by a curiosity in the immediate environment and local knowledge. Jeffs strives to create designs that celebrate care with a sensitivity towards material and site. Jeffs hands are always filled with a pen or a book, tinkering away in the studio, or buried in the soil in the garden.

ANDREW DANCER / Parametrics
Andrew Dancer is an architect and adjunct professor based in Grand Rapids, Michigan. Dancer practices at Cornerstone Architects and teaches at Kendall College of Art and Design (KCAD). Dancer is interested in how a critical understanding of site and history can be an instrument for developing hyperlocal architectures. Dancer specializes in leveraging computational strategies to solve design problems. Dancer received a Master of Architecture from KCAD and his Bachelor of Fine Art with a concentration on Human Centered Design from Northern Michigan University.

AARON KETNER / Systems

Aaron is the Director of Sustainability, a Building Performance Specialist, and an Associate at Dekker Perich Sabatini - an architecture firm located in Albuquerque, New Mexico and Phoenix, Arizona. Ketner’s passion and work focus on Building Performance Analysis, Green Building Features, BIM Technology Innovation, Smart Building Solutions, Technology + Design Integration, and Digital Twin Asset Management - with design specialties in Sustainability, Resiliency, High Performance Buildings, On-site Solar PV Array impact packages, and Health and Wellness in the Built Environment.

RYAN CRANEY / Electronics
Ryan Craney lives in Portland, Oregon, where he works with LRS Architects.  Craney is a licensed architect and holds a Bachelors of Architecture from California Polytechnic State University, San Luis Obispo and a Master of Science in Digital Material Technology from the University of Michigan.  Craney’s collaborative research with Alibi Studio in Detroit has been published in ACADIA and challenging glass, as well as sensor-controlled light work which is on permanent display as part of the Secret Sky art barn in Port Austin, Michigan.


Emeriti

WELLY FLETCHER /
Assistant Professor of Sculpture, University of New Mexico

MICHAEL CHIN /Editor
Michael Chin is a writer, historian, and multidisciplinary artist working in the San Francisco Bay Area. He is fascinated by the ways that premodern ideas about science, religion, and technology continue to shape the world we live in today. He holds a Ph.D. in ancient religious thought from Duke University, teaches in the Classics program at the University of California at Davis, and collaborates regularly with dancers, poets, painters, puppeteers, and architects.

We also consult with the Indigenous Design and Planning Institute at University of New Mexico to understand Indigenous land ethics, stories, and histories. These consultants advise on non-binary land histories where designations of sacred encompass all land, air, and water, and extend in the seven generations manner from ancestors to great grandchildren.